A People's Tragedy - The Russian Revolution 1891-1924, by Orlando Figes, Pimlico - Random House, London Sydney Auckland 1997

Unstable Pillars, p. 61

...

Not-So-Holy Russia

God grant health to the Orthodox Tsar
Grand Prince Mikhail Fedorovich
May he hold the Muscovite tsardom
And all the Holyrussian land.

According to popular song, Mikhail Romanov had been blessed by his father, the Metropolitan Filaret, in 1619 with this prayer, six years after ascending the Russian throne. The myth of the 'Holyrussian land' was the founding idea of the Muscovite tsardom as it was developed by the Romanovs from the start of the seventeenth century. The foundation of their dynasty, as it was presented in the propaganda of the 1913 jubilee, symbolized the awakening of a new Russian national consciousness based on the defence of Orthodoxy. Mikhail Romanov, so the legend went, had been elected by the entire Russian people following the civil war and Polish intervention during the Time of Troubles (1598—1613). The 'Holyrussian land' was thus reunited behind the Romanov dynasty, and Mikhail saved Orthodox Russia from the Catholics. From this point on, the idea of 'Holy Russia', of a stronghold for the defence of Orthodoxy, became the fundamental legitimizing myth of the dynasty.

Not that the idea of Holy Russia lacked a popular base. Folksongs and Cossack epics had talked of the Holy Russian land since at least the seventeenth century. It was only natural that Christianity should become a symbol of popular self-identification for the Slavs on this flat Eurasian land-mass so regularly threatened by Mongol and Tatar invasion. To be a Russian was to be Christian and a member of the Orthodox faith. Indeed it was telling that the phrase 'Holy Russia' ("Sviataia Rus") could only be applied to this older term for Russia, from which the very word for a Russian ('russkii') derived; it was impossible to say Sviataia Rossiia, since Rossiia, the newer term for Russia, was connected only with the imperial state.* Even more suggestive is the fact that the word in Russian for a peasant (krest'ianin'), which in all other European languages stemmed from the idea of the country or the land, was coupled with the word for a Christian (khrist'ianin).

But where the popular myth of Holy Russia had sanctified the people and their customs, the official one sanctified the state in the person of the Tsar. Moscow became the 'Third Rome', heir to the legacy of Byzantium, the last capital of Orthodoxy; and Russia became a 'holy land' singled out by God for humanity's salvation. This messianic mission gave the tsars a unique religious role: to preach the True Word and fight heresies across the world. The image of the tsar was not just of a king, mortal as a man but ruling with a divine right, as in the Western medieval tradition; he was fabricated as a God on earth, divinely ordained as a ruler and saintly as a man. There was a long tradition in Russia of canonizing princes who had laid down their lives pro patria et fides, as Michael Cherniavsky has shown in his superb study of Russian myths. The tsars used Church laws, as no Western rulers did, to persecute their political opponents. The whole of Russia became transformed into a sort of vast monastery, under the rule of a tsar-archimandrite, where all heresies were rooted out.34

It was only gradually from the eighteenth century that this religious base of tsarist power was replaced by a secular one. Peter the Great sought to reform the relations between Church and state on Western absolutist lines. In an effort to subordinate it to the state, the Church's administration was transferred from the patriarchate to the Holy Synod, a body of laymen and clergy appointed by the Tsar. By the nineteenth century its secular representative, the Procurator-General, had in effect attained the status of minister for ecclesiastical affairs with control of episcopal appointments, religious education and most of the Church's finances, although not of questions of theological dogma. The Holy Synod remained, for the most part, a faithful tool in the hands of the Tsar. It was in the Church's interests not to rock the boat: during the latter half of the eighteenth century it had lost much of its land to the state and it now relied on it for funding to support 100,000 parish clergy and their families.* Still, it would be wrong to portray the Church as a submissive organ of the state. The tsarist system relied on the Church just as much as the Church relied on it: theirs was a mutual dependence. In a vast peasant country like Russia, where most of the population was illiterate, the Church was an essential propaganda weapon and a means of social control.35

The priests were called upon to denounce from the pulpit all forms of dissent and opposition to the Tsar, and to inform the police about subversive elements within their parish, even if they had obtained the information through the confessional. They were burdened with petty administrative duties: helping the police to control vagrants; reading out imperial manifestos and decrees; providing the authorities with statistics on births, deaths and marriages registered in parish books, and so on. Through 41,000 parish schools the Orthodox clergy were also expected to teach the peasant children to show loyalty, deference and obedience not just to the Tsar and his officials but also to their elders and betters. Here is a section of the basic school catechism prepared by the Holy Synod:

Q. How should we show our respect for the Tsar?

A. 
1. We should feel complete loyalty to the Tsar and be prepared to lay down our lives for him. 

2. We should without objection fulfil his commands and be obedient to the authorities appointed by him.

3. We should pray for his health and salvation, and also for that of all the Ruling House.

Q. What should we think of those who violate their duty toward their Sovereign?

A. They are guilty not only before the Sovereign, but also before God. The Word of God says, 'Whosoever therefore resisteth the power, resisteth the ordinance of God.' (Rom. 13:2-3)

For its part the Church was given a pre-eminent position in the moral order of the old regime. It alone was allowed to proselytize and do missionary work in the Empire.

Unlike their Catholic counterparts, Russian Orthodox priests were allowed to marry. Only the monastic clergy were not.

The regime's policies of Russification helped to promote the Orthodox cause: in Poland and the Baltic, for example, 40,000 Catholics and Lutherans were converted to the Orthodox Church, albeit only nominally, during the reign of Alexander III. The Church applied a wide range of legal pressures against the dissident religious sects, especially the Old Believers. Until 1905, it remained an offence for anyone in the Orthodox Church to convert from it to another faith or to publish attacks on it. All books on religion and philosophy had to pass through the Church's censors. There was, moreover, a whole range of moral and social issues where the Church's influence remained dominant and sometimes even took precedence over the secular authorities. Cases of adultery, incest, bestiality and blasphemy were tried in the Church's courts. Convictions resulted in the application of exclusively religious, not to say medieval, punishments, such as penance and incarceration in a monastery, since the state left such questions in the Church's hands and abstained from formulating its own punishments. Over divorce, too, the Church's influence remained dominant. The only way to attain a divorce was on the grounds of adultery through the ecclesiastical courts, which was a difficult and often painful process. Attempts to liberalize the divorce laws, and to shift the whole issue to the criminal courts, were successfully blocked in the late nineteenth century by a Church which was becoming more doctrinaire on matters of private sexuality and which, in upholding the old patriarchal order, forged a natural alliance with the last two tsars in their struggle against the modern liberal world. In short, late imperial Russia was still very much an Orthodox state.37

But was it still holy? That was the question that worried the leaders of the Church. And it was from this concern that many of the more liberal Orthodox clergy called for a reform in Church-state relations during the last decades of the old regime. After 1917 there were many shell-shocked Christians — Brusilov was a typical example — who argued that the revolution had been caused by the decline of the Church's influence. This of course was a simplistic view. Yet there is no doubt that the social revolution was closely connected with the secularization of society, and to a large extent dependent on it.

The Old Believers rejected the liturgical reforms of Patriarch Nikon during the 1660s as well as the government that enforced them. Fleeing persecution, most of them settled in the remote areas of Siberia, where they remain to this day. At the turn of the century there were estimated to be as many as eighteen million Old Believers. The other main religious sects, closer in spirit to Evangelicalism, were the Stundists (Baptists), the Dukhobortsy ('Fighters for the Spirit') and the Molokane (Milk-Drinkers). They had about one million followers between them. Many of these sects had a radical tradition of dissent, which is both explained by and helps to explain their persecution by the state.

Urbanization was the root cause. The growth of the cities far outstripped the pace of church-building in them, with the result that millions of workers, having been uprooted from the village with its church, were consigned to live in a state of Godlessness. The industrial suburb of Orekhovo-Zuevo, just outside Moscow, for example, had only one church for 40,000 residents at the turn of the century. Luzovka, the mining capital of the Donbass, today called Donetsk, had only two for 20,000. But it was not just a question of bricks. The Church also failed to find an urban mission, to address the new problems of city life in the way that, for example, Methodism had done during the British industrial revolution. The Orthodox clergy proved incapable of creating a popular religion for the world of factories and tenements. Those who tried, such as Father Gapon, the radical preacher of St Petersburg who led the workers' march to the Winter Palace in January 1905, were soon disavowed by the Church's conservative leaders, who would have nothing to do with religiously inspired calls for social reform.38

The experience of urbanization was an added pressure towards secularization. Young peasants who migrated to the cities left behind them the old oral culture of the village, in which the priests and peasant elders were dominant, and joined an urban culture where the written word was dominant and where the Church was forced to compete with the new socialist ideologies. One peasant who made this leap was Semion Kanatchikov during his progress through the school of industry and into the ranks of the Bolsheviks. In his memoirs he recalled how his apostasy was slowly nurtured in the 1890s when he left his native village for Moscow and went to work in a machine-building factory where socialists often agitated. To begin with, he was somewhat afraid of these 'students' because 'they didn't believe in God and might be able to shake my faith as well, which could have resulted in eternal hellish torments in the next world'. But he also admired them 'because they were so free, so independent, so well informed about everything, and because there was nobody and nothing on earth that they feared'.

As the country boy grew in confidence and sought to emulate their individualism, so he became more influenced by them. Stories of corrupt priests and "miracles'-cum-frauds began to shake 'the moral foundations with which I had lived and grown up'. One young worker 'proved' to him that God had not created man by showing that, if one filled a box with earth and kept it warm, worms and insects would eventually appear in it. This sort of vulgarized pre-Darwinian science, which was widely found in the left-wing pamphlets of that time, had a tremendous impact on young workers like Kanatchikov. 'Now my emancipation from my old prejudices moved forward at an accelerated tempo,' he later wrote. 'I stopped going to the priest for "confession", no longer attended church, and began to eat "forbidden" food during Lenten fast days. However, for a long time to come I didn't abandon the habit of crossing myself, especially when I returned to the village for holidays.'39

And what about the countryside itself? This was the bedrock of 'Holy Russia', the supposed stronghold of the Church. The religiosity of the Russian peasant has been one of the most enduring myths — along with the depth of the Russian soul — in the history of Russia. But in reality the Russian peasant had never been more than semi-detached with the Orthodox religion. Only a thin coat of Christianity had been painted over his ancient pagan folk-culture. To be sure, the Russian peasant displayed a great deal of external devotion. He crossed himself continually, pronounced the Lord's name in every other sentence, regularly went to church, always observed the Lenten fast, never worked on religious holidays, and was even known from time to time to go on pilgrimage to holy shrines. Slavophile intellectuals, like Dostoevsky or Solzhenitsyn, might wish to see this as a sign of the peasant's deep attachment to the Orthodox faith. And it is certainly true that most of the peasants thought of themselves as Orthodox. If one could go into a Russian village at the turn of the century and ask its inhabitants who they were, one would probably receive the reply:

'We are Orthodox and from here.' But the peasants' religion was far from the bookish Christianity of the clergy. They mixed pagan cults and superstitions, magic and sorcery, with their adherence to Orthodox beliefs. This was the peasants' own vernacular religion shaped to fit the needs of their precarious farming lives.

Being illiterate, the average peasant knew very little of the Gospels. The Lord's Prayer and the Ten Commandments were unknown to him. But he did vaguely understand the concepts of heaven and hell, and no doubt hoped that his lifelong observance of the church rituals would somehow save his soul. He conceived of God as a real human being, not as an abstract spirit. Gorky described one peasant he encountered in a village near Kazan, who:

"pictured God as a large, handsome old man, the kindly, clever master of the universe who could not conquer evil only because: 'He cannot be everywhere at once, too many men have been born for that. But he will succeed, you see. But I can't understand Christ at all! He serves no purpose as far as I'm concerned. There is God and that's enough. But now there's another! The son, they say. So what if he's God's son. God isn't dead, not that I know of.'

The icon was the focus of the peasants faith. He followed the Bible stories from the icons in his church and believed that icons had magical powers. The corner in the peasant's hut, where he positioned the family icon, was, like the stove, a holy place. It sheltered the souls of his deceased ancestors and protected the household from evil spirits. Whenever the peasant entered or left his house he was supposed to take off his hat, bow and cross himself in front of it. And yet, as Belinsky pointed out to Gogol, the peasant also found another use for this sacred object. 'He says of the icon: "It's good for praying — and you can cover the pots with it too."'

The peasant shared in the Church's cult of the saints in a similarly down-to-earth fashion, adding to it his own pagan gods and spirits connected with the agricultural world. There were Vlas (the patron saint of cattle), Frol and Lavr (the saints of horses), Elijah (the saint of thunder and rain), Muchenitsa Paraskeva (the saint of flax and yarn), as well as countless other spirits and deities — household, river, forest, mountain, lakeland and marine — called on by midwives, healers, witch doctors, bloodletters, bonesetters, sorcerers and witches through their charms and prayers. The peasants were proverbially superstitious. They believed that their lives were plagued by demons and evil spirits who cast their spells on the crops and the cattle, made women infertile, caused misfortune and illness, and brought back the souls of the dead to haunt them. The spells could only be exorcised by a priest or some other gifted person with the help of icons, candles, herbs and primitive alchemy. This was a strange religious world which, despite much good research in recent years, we can never hope to understand in full.41

The position of the parish priest, who lived on the constantly shifting border between the official religion of the Church and the paganism of the peasants, was precarious. By all accounts, the peasants did not hold their priests in high esteem.* The Russian peasants looked upon their local priests, in the words of one contemporary, not so much as 'spiritual guides or advisers but as a class of tradesmen with wholesale and retail dealings in sacraments'. Unable to support themselves on the meagre subsidies they received from the state, or from the farming of their own small chapel plots, the clergy relied heavily on collecting peasant fees for their services: two roubles for a wedding; a hen for a blessing of the crops; a few bottles of vodka for a funeral; and so on. The crippling poverty of the peasants and the proverbial greed of the priests often made this bargaining process long and heated. Peasant brides would be left standing in the church for hours, or the dead left unburied for several days, while the peasants and the priest haggled over the fee. Such shameless (though often necessary) bargaining by the clergy was bound to harm the prestige of the Church. The low educational level of many of the priests, their tendency to corruption and drunkenness, their well-known connections with the police and their general subservience to the local gentry, all added to the low esteem in which they were held. 'Everywhere', wrote a nineteenth-century parish priest, 'from the most resplendent drawing rooms to smoky peasant huts, people disparage the clergy with the most vicious mockery, with words of the most profound scorn and infinite disgust.'42

When one compares this with the respect and deference shown by the peasants of Catholic Europe towards their priests then one begins to understand why peasant Russia had a revolution and, say, peasant Spain a counter-revolution.

This was hardly a position of strength from which the Church could hope to defend its peasant flock from the insidious secular culture of the modern city. Towards the end of the nineteenth century a growing number of Orthodox clergy came to realize this. They were worried about the falling rate of church attendance which they blamed for the rise of 'hooliganism', violent attacks on landed property and other social evils in the countryside. It was from this concern for the Christian guidance of the peasants that calls were increasingly made for a radical reform of the Church. They were first voiced by the generation of liberal clergymen who had emerged from the seminaries during the middle decades of the century. Better educated and more conscientious than their predecessors, these 'clerical liberals' were inspired by the Great Reforms of the 1860s. They talked of revitalizing the life of the parish and of instilling a 'conscious' Christianity into the minds of the peasants. This they thought they could achieve by bringing the parish church closer to the peasants' lives: parishioners should have more control of their local church; there should be more parish schools; and parish priests should be allowed to concentrate on religious and pastoral affairs instead of being burdened with petty bureaucratic tasks. 

By the turn of the century, as it became clear that the Church could not be revitalized until it was liberated from its obligations to the state, the demands of the liberal clergy had developed into a broader movement for the wholesale reform of the Church's relations with the tsarist state. This movement climaxed in 1905 with calls from a broad cross-section of the clergy for a Church Council (Sobor) to replace the Holy Synod. Many also called for the decentralization of ecclesiastical power from St Petersburg and the monastic hierarchy to the dioceses and indeed from there to the parishes. While it would be wrong to claim that this movement was part of the 1905 democratic revolution, there were certainly parallels between the clergy's demands for church reform and the liberals' demands for political reform. Like the zemstvo men, the liberal clergy wanted more self-government so that they could better serve society in their local communities.43

This was much further than the conservatives within the ecclesiastical hierarchy were prepared to go. While they supported the general notion of self-government for the Church, they were not prepared to see the authority of the appointed bishops or the monastic clergy weakened in any way. Even less were they inclined to accept the argument put forward by the Prime Minister, Count Witte, on proposing the Law of Religious Toleration in 1905, that ending discrimination against the rivals of Orthodoxy would not harm the Church provided it embraced the reforms that would revive its own religious life. The senior hicrarchs of the Church might have flirted for a while with the heady ideas of self-government being bandied about by their liberal brethren, but Witte s insistence on making religious toleration the price of such autonomy (a policy motivated by the prospect of wooing important commercial groups in the Old Believer and Jewish communities) was guaranteed to drive them back into the arms of reaction. After 1905 they allied themselves with the court and extreme Rightist organizations, such as the Union of the Russian People, in opposing all further attempts by the liberals to reform the Church and extend religious toleration. The old alliance of 'Autocracy, Orthodoxy and Nationality' was thus revived against the threat of a liberal moral order. This clash of ideologies was one of the most decisive in shaping Russian history between 1905 and 1917.

With the liberal clergy defeated, the Church was left in a state of terminal division and weakness. The central ideological pillar of the tsarist regime was at last beginning to crumble. Rasputin's rise to power within the Church signalled its own final fall from grace. 'The Most Holy Synod has never sunk so low!' one former minister told the French Ambassador in February 1916. 'If they wanted to destroy all respect for religion, all religious faith, they would not go about it in any other way. What will be left of the Orthodox Church before long? When Tsarism, in danger, seeks its support, it will find there is nothing left.'44

The revolution could not otherwise be justified as democratic and was likely to end in a new dictatorship. The Mensheviks in the Social Democratic Party later espoused the same principles. But, on the other hand, Populists like Tkachev argued that to wait indefinitely for a social revolution, and in the meantime to condemn all forms of revolt and terrorism by its elite vanguard, was to run the risk of allowing the tsarist order to stabilize itself through the advance of capitalism. Only by seizing power first and establishing a revolutionary dictatorship was it possible to secure the necessary political conditions for the transition to socialism. This idea also had its followers in the Social Democratic Party: it became the guiding principle of Lenin's theory of revolution.

This was the dilemma the Populists faced after the collapse of the 'To the People' movement. During the 'mad summer' of 1874 thousands of students left their lecture halls to 'go to the people'. There was no real organization, although many of these missionaries belonged to the circles of Lavrov and Chaikovsky, which believed in spreading propaganda among the peasants in preparation for the inevitable revolution. Dressed like peasants or petty traders, these young idealists flooded into the countryside with the aim of 'serving the people' by teaching them how to read and write, by taking jobs as simple labourers, and by helping them to understand the causes of their suffering. Guilt and the desire for self-sacrifice played a large role in this revolutionary passion play. The students were acutely conscious of the need to repay their 'debt to the people'. 

They embraced the idea of living with the peasants and sharing in their sufferings. They were ready to run the risks of catching cholera, or of being arrested and sent to jail. Some even welcomed the idea of becoming a martyr 'for the people': it would make them into heroes. 'You will be washing pots and plucking chickens,' one of these fictionalized students Mariana is told in Turgenev's novel Virgin Soil. 'And, who knows, maybe you will save your country in that way.' The peasants, however, met these childish crusaders with mistrust and hostility. They found their urban manners and doctrines alien; and while they did not understand their propaganda, they understood enough to know that it was dangerous. 'Socialism', one of the Populists later wrote, 'bounced off the peasants like peas from a wall. They listened to our people as they do to the priest — respectfully but without the slightest effect on their thinking or their actions.' Most of the radicals were soon rounded up by the police, sometimes tipped off by the local peasants.17

This sobering encounter with the common people led the Populists to turn away disillusioned from propaganda and the social revolution. 'We cannot change the thinking of even one in six hundred peasants, let alone of one in sixty,' Stepniak wrote to Lavrov in 1876. 'Everyone is beginning to realize the need for organization ... A revolt has to be organized.'"

The revolution had been truly born, and it had been born in the very core, in the very bowels of the people. In that one vital moment the popular myth of a Good Tsar which had sustained the regime through the centuries was suddenly destroyed. Only moments after the shooting had ceased an old man turned to a boy of fourteen and said to him, with his voice full of anger: 'Remember, son, remember and swear to repay the Tsar. You saw how much blood he spilled, did you see? Then swear, son, swear!'33

Later, as the Sunday promenaders hurried home in a state of shock, the workers went on a rampage through the fashionable streets around the Winter Palace. They smashed windows, beat up policemen, threw rocks at the soldiers, and broke into the houses of the well-to-do. As darkness fell, the crowds began to build barricades in front of the Kazan Cathedral using benches, telegraph poles and furniture taken from buildings. More barricades were built in the workers' districts. Gangs went round looting liquor and gun shops. The streets were momentarily in the hands of the mob and the first red flags appeared. But these revolutionaries had no leaders and by midnight most of them had gone home.

Gapon, meanwhile, had taken refuge in Gorky's apartment. His beard was cut off, his hair cropped short and his face made up by one of Gorky's theatrical friends, who, according to the writer, 'did not quite understand the tragedy of the moment and made him look like a hairdresser or a salesman in a fashionable shop'. That evening Gorky took the revolutionary priest to a meeting at the Free Economic Society in order to dispel the growing rumours of his death. Practically the whole of the St Petersburg intelligentsia was crammed into the small building on Zabalkansky Avenue. They were outraged by the news that 'thousands' of people had been slaughtered (the true figures were probably in the region of 200 killed and 800 wounded). 'Peaceful means have failed,' the disguised figure shouted. 'Now we must go over to other means.' He appealed for money to help the 'workers' party' in its 'struggle for freedom'. Suddenly, chaos broke out in the hall as people recognized Gapon. But the priest managed to escape through a back door and returned to Gorky's apartment. There he wrote an address to his 'Comrade Workers' in which he urged them to 'tear up all portraits of the blood-sucking Tsar and say to him: Be Thou damned with all Thine August Reptilian Progeny!' Hours later, in a new disguise, Gapon fled to Finland and then abroad.34*

At the end of January Gapon turned up in Geneva, where he fell in with the revolutionaries in exile. Their theoretical disputes were above him and, seduced by international fame, he soon left for London to write his autobiography. Having made himself a celebrity, Gapon had no more use for the revolutionary movement. In December he returned to Russia, where he supported the Witte government and even co-operated with the secret police against the socialists. In March 1906, for reasons that are unclear, he was brutally murdered by agents of the secret police, including his closest associate, who on 9 January had rescued him from the massacre at the Narva Gates.

That night Gorky wrote to his separated wife, Ekaterina, in Nizhnyi Novgorod: 'And so, my friend, the Russian Revolution has begun: I send you my sincere congratulations. People have died — but don't let that trouble you — only blood can change the colour of history.'35

Two days later he was arrested, along with the other members of the deputation to Witte and Mirsky on 8 January (they had foolishly left their visiting cards). All of them were charged (quite ridiculously, though it showed the extent of the regime's fears) with belonging to a 'revolutionary convention' which had planned to seize power and establish a 'provisional government'. They were imprisoned in the Peter and Paul Fortress.36

                                 * * *

The events of 'Bloody Sunday', as 9 January became known, brought Gorky closer to the Bolsheviks. Gorky had first met Lenin in 1902 and had quickly fallen into a love-hate relationship with him. He had since been active in attracting funds for the Social Democrats from rich industrialists, such as Savva Morozov, who clearly saw the writing on the wall ('These days it is necessary to be friends with one's enemies,' Morozov had once said to the Bolshevik Krasin). Gorky's relationship with the Bolsheviks was never easy or straightforward. As with many intellectuals, his commitment to the revolution was romantic and idealist. He saw it as a vast struggle of the human spirit for freedom, brotherhood and spiritual improvement. His was essentially a humanist view, one which placed the individual at its heart, and he could never quite bring himself to accept the iron discipline or the narrow dogmatism of the Bolsheviks. 'I belong to none of our parties', he once wrote to the painter Repin, 'and I am glad of it. For this is freedom, and man is greatly in need of that.' The gypsies, gamblers, beggars and swindlers who filled the pages of his stories were all struggling in their own small way for individual freedom and dignity: they were not the representatives of an organized 'proletariat'. People struggled, classes did not struggle, that was Gorky's view. Gorky, in his own words, 'could admire but not like' wooden dogmatists like Lenin who tried to compress life's diversity into their abstract theory. Being fully human meant, in his view, 'loving passionately and painfully the living, sinning, and — forgive me — pitiful Russian'.37 It was almost a Christian view of human redemption through revolution (and Gorky flirted with Christianity). 

Such ideas were common among the radical intelligentsia. Witness the writings of Merezhkovsky (on 'Christianity without Christ'), Solovyov (on 'Godmanhood') and Bogdanov (on 'God-Building'), with whom Gorky was closely linked. During and after 1917 this contradiction between the party and the human goals of the revolution would bring Gorky into conflict with the Bolsheviks. But for the moment, in 1905, they were brought together by their common view that the workers' movement had to be radicalized. This was why Gorky, in his letter to Ekaterina, had seen some good in Bloody Sunday; the war against religion played a vital role in this battle for the people's soul. The Bolsheviks saw religion as a sign of backwardness (the 'opium of the masses') and the Church as a rival to their power. In particular, they saw the religion of the peasants as a fundamental cultural gulf between their own Enlightenment ideals and the 'dark' people of the countryside, a people they could neither understand nor ever really hope to convert to their cause. The war against religion was thus an aspect of their broader campaign to conquer the 'otherness' of the peasantry.

Gastev's vision of the mechanized society was no idle fantasy. He believed it was just around the corner. The ABC of Communism, written by Bukharin and Preobrazhensky in 1919, claimed that a 'new world' with 'new people and customs', in which everything was 'precisely calculated', would soon come into existence. The mechanistic motifs of Proletkult art were supposed to foster this new Machine World. There was even a League of Time, whose 25,000 members in 800 local branches by the time Zamyatin wrote 'We kept a 'chronocard' on which they recorded how they spent each minute of their day ('7.00 a.m. got out of bed; 7.01 a.m. went to the lavatory') so as to be more efficient in their use of time. The crusaders of this clockwork world wore oversized wristwatchcs (there is still a fashion for them in Russia today). As self-appointed 'Time Police', they went round factories and offices trying to stamp out 'Oblomovism', that very Russian habit of the wastage of time. Another one of their plans to save time consisted of replacing the long words and official titles of the Russian language with shorter ones or acronyms. Politicians were told to cut their verbose comments, and speakers at congresses to keep their speeches short.29

                               * * *

Until 1921 the war against religion was fought mainly by propaganda means. The Bolsheviks encouraged the popular wave of anti-clericalism that had swept away the Church lands in 1917. The Decree on the Separation of Church and State in January 1918 aimed to place the clergy at the mercy of the local population by taking away its rights to own property — church buildings were henceforth to be rented from the Soviets — or to charge for religious services. Religious instruction in schools was also outlawed. Bolshevik propaganda caricatured the clergy as fat parasites living off the backs of the peasantry and plotting for the return of the Tsar. Most provincial newspapers had regular columns on the 'counter-revolutionary' activities of the local priests, although in fact most of the parish clergy had either gone or been dragged along with the peasant revolution. Needless to say, the Cheka jails were full of priests.

The aim of Bolshevik propaganda was to replace the worship of God with veneration of the state, to substitute revolutionary icons for religious ones. Communism was the new religion, Lenin and Trotsky its new arch-priests. In this sense the Bolshevik war against religion went one step further than the Jacobin dechristianizadon campaigns: its aim was not just to undermine religion but to appropriate its powers for the state.

On the one hand was the Bolsheviks' iconoclastic propaganda, Christian miracles were exposed as myths. Coffins said to hold the 'incorruptible' relics of Russian saints were opened up and found to contain bare skeletons or, in some cases, wax effigies. The celebrated 'weeping icons' were shown to be operated by rubber squeezers that produced 'tears' when an offering was made. The peasantry's attachment to religious and superstitious explanations was ridiculed as foolish: harvest failures and epidemics were to be avoided by agronomic and meteorological science rather than prayer and rituals in the fields. 'Godless acres' were farmed beside 'God's acres' — the former treated with chemical fertilizers, the latter with holy water — to drive home the point. Peasants were taken for rides by aeroplane so that they could see for themselves that there were no angels or gods in the sky. Most of the local press had special columns for this sort of 'scientific atheism'. Hundreds of atheistic pamphlets and stories were also published. Literature and music deemed to be religious were suppressed. The works of Plato, Kant, Schopenhauer, Nietzsche and Tolstoy were all banned on these grounds, as was Mozart's Requiem, nearly all of Bach and the Vespers of Rachmaninov. 

There was also an atheist art — one especially blasphemous poster showed the Virgin Mary with a pregnant belly longing for a Soviet abortion — and an equally iconoclastic theatre and cinema of the Godless. Then there were study groups and evening classes in this 'science' of atheism (a good grounding in it was essential for advancement in the party-state). A Union of the Militant Godless was established in 1921 with its own national newspaper and hundreds of local branches which held 'debates' with the clergy on the question: 'Does God Exist?' These debates usually involved the staged conversion of at least one priest, who would suddenly announce that he had been convinced that God did not exist, and would call on the Soviet authorities to forgive him his error. Most of these priests must have been tortured in the Cheka jails, or else threatened with imprisonment, in order to make them confess in this way. Even so, the victory of the Godless was by no means assured. In one debate the priest asked the Godless who had made the natural world. When they replied that Nature had made itself through evolution there were hoots of laughter from the peasant audience, to whom such a proposition seemed quite ridiculous, and a victory for the priest was declared.30

On the other hand was the Bolshevik propaganda which held up Communism as the new religion. The festivals, rituals and symbols of the Communist state were consciously modelled on their Christian equivalents — which they sought to replace. Soviet festivals were scheduled on the same days as the old religious holidays: there was a Komsomol Christmas and Easter; Electric Day fell on Elijah Day; Forest Day (a throwback to the peasant-pagan past) on Trinity Sunday. May Day and Revolution Day were heavily overladen with religious symbolism: the armed march past the Kremlin, the religious centre of Orthodox Russia, was clearly reminiscent of the old religious procession, only with rifles instead of crosses. The cult of Lenin, which flourished in the civil war, gave him the status of a god. The very symbol of the Communist state, the Red Star, was steeped in religious and messianic meaning deeply rooted in Russian folklore.

A Red Army leaflet of 1918 explained to the servicemen why the Red Star appeared on the Soviet flag and their uniforms. There was once a beautiful maiden named Pravda (Truth) who had a burning red star on her forehead which lit up the whole world and brought it truth, justice and happiness. One day the red star was stolen by Krivda (Falsehood) who wanted to bring darkness and evil to the world. Thus began the rule of Krivda. Meanwhile, Pravda called on the people to retrieve her star and 'return the light of truth to the world'. A good youth conquered Krivda and her forces and returned the red star to Pravda, whereupon the evil forces ran away from the light 'like owls and bats', and 'once again the people lived by truth'. The leaflet made the parable clear: 'So the Red Star of the Red Army is the star of Pravda. And the Red Army servicemen are the brave lads who are fighting Krivda and her evil supporters so that truth should rule the world and so that all those oppressed and wronged by Krivda, all the poor peasants and workers, should live well and in freedom.'31

In private life, as in public, religious rituals were Bolshevized. Instead of baptisms children were 'Octobered'. The parents at these ceremonies, which boomed in the early 1920s, promised to bring up their childlren in the spirit of Communism; portraits of the infant Lenin were given as gifts; and the Internationale was sung. The names chosen for these Octobered children —and those for adults who also changed their names — were drawn from the annals of the revolution: Marx; Engelina; Rosa (after Rosa Luxemburg); Vladlen, Ninel, Ilich and Ilina (acronyms, nicknames or anagrams for Lenin); Marlen (for Marx and Lenin); Melor (for Marx, Engels, Lenin and October Revolution); Pravda; Barrikada; Fevral (February); Oktiabrina (October); Revoliutsiia (Revolution); Parizhkommuna (Paris Commune); Molot (hammer); Serpina (sickle); Dazmir (Long Live the World Revolution); Diktatura (Dictatorship); and Terrora (Terror). 

Sometimes the names were chosen on the basis of a misunderstanding or simply because they were foreign sounding and were thus associated with the revolution: Traviata, Markiza, Embryo and Vinaigrette. Red weddings were another Bolshevik ritual, popular among the Komsomol youth. They were usually held in a factory or some local club. Instead of the altar the couple faced a portrait of Lenin. They made their vows of loyalty both to each other and to the principles of Communism, In his satirical novel Dog's Wedding (1925), Brykin reproduced such a vow. "Do you promise', asks the officiator, 'to follow the path of Communism as bravely as you are now opposing the church and the old people's customs? Are you going to make your children serve as Young Pioneers [the Komsomol organization for younger children], educate them, introduce scientific farming methods, and fight for the world revolution? Then in the name of our leader, Comrade Vladimir Ilich Lenin, I declare the Red Marriage completed.' Finally, there was the Red Funeral, mainly reserved for Bolshevik heroes, which drew on the funereal traditions of the revolutionary movement — with its guard of honour, the coffin set high on a bier draped in red, the dirge-like hymn 'You Fell Victim', the graveside orations and the gunfire salute — originally used at Bauman's burial, that first martyred Bolshevik, in 1905.32

From 1921 the war against religion moved from words and rituals to the closure of churches and the rooting out of priests. Lenin instigated this totally gratuitous reign of terror. Apart from the Academy of Sciences, the Church was the only remaining national institution outside the control of the party. Three years of propaganda had not undermined it — in many ways the civil war had made people turn to religion even more — so Lenin sought to attack it directly. The famine of 1921-2 gave him the pretext he needed. Although the Church had actively joined in the famine relief campaign, offering to sell some of its non-consecrated valuables to buy foodstuffs from abroad, Lenin found a strategy that enabled him to accuse it of selfishly turning its back on the crisis. He ordered the Church to hand over its consecrated valuables for sale as well, even though he must have known that it was obliged to disobey the order (the secular use of consecrated items was sacrilegious). This provocation would make the Church appear as it was charged — as an 'enemy of the people'. To rally the public against it the press called hysterically for all the Church's valuables to be sold for the famine victims: 'Turn Gold into Bread!' was the emotive slogan. In a last desperate effort to prevent the pillage of his churches, Patriarch Tikhon offered to raise money equivalent to the value of the consecrated items through voluntary subscriptions and the sale of other property; but his offer was refused. Lenin was not interested in the money; he wanted a pretext to assault the Church.

On 26 February 1922 a decree was sent out to the local Soviets instructing them to remove from the churches all precious items, including those used for religious worship. The decree claimed that their sale was necessary to help the famine victims; but little of the money raised was used for this purpose. Armed bands gutted the local churches, carrying away the icons and crosses, the chalices and mitres, even the iconostases in bits. In many places angry crowds took up arms to defend their local church. In some places they were led by their priests, at others they fought spontaneously. The majority of these clashes occurred during 1922-3. Most of these were utterly one-sided. Troops with machine-guns fought against old men and women armed with pitch forks and rusty rifles: 7,100 clergy were killed, including pearly 3,500 nuns, but only a handful of Soviet troops. One such clash in the textile town of Shuya,, 200 miles north-east of Moscow, in March 1922, prompted Lenin to issue a secret order for the extermination of the clergy. The event was typical enough: on Sunday 12 March worshippers fought off Soviet officials when they came to raid the local church; when the officials returned three days later with troops and machine-guns there was some fighting with several people killed.

The Politburo, in Lenin's absence, voted to suspend further confiscations. But Lenin, hearing of the events in Shuya, dictated contrary orders over the phone from his country residence at Gorki with strict instructions of top secrecy. This memorandum, first published in full by a Soviet publication in 1990 reveals the cruel streak in Lenin's nature. It undermines the 'soft' image of Lenin in his final years previously favoured by left-wing historians in the West who would have us believe that the 1920s were a hopeful period of 'Soviet democracy' before the onset of Stalinism. Lenin argued that the events in Shuya should be exploited to link the clergy with the Black Hundreds, to destroy the Church 'for many decades', and to 'assure ourselves of capital worth several hundred million gold roubles... to carry out governmental work in general and in particular economic reconstruction'. It was 'only now', in the context of the famine, that the hungry peasants would 'either be for us or at any rate neutral in this 'ferocious' war against the Church: 'later on we will not succeed.' For this reason, continued Lenin:

I have come to the unequivocal conclusion that we must now wage the most decisive and merciless war against the Black Hundred clergy and suppress its resistance with such cruelty that they will not forget it for decades to come... The more members of the reactionary bourgeoisie and clergy we manage to shoot the better.

It has recently been estimated that 8,000 people were executed during this brutal campaign in 1922 alone. Patriarch Tikhon claimed to know of 10,000 priests in prison or exile, including about 100 bishops. It was only after 1925, under pressure from Russia's Western trading partners, that the persecution came to a temporary halt.33

According to Gorky, the Bolsheviks deliberately used the Jews in their ranks to carry out confiscations of church property. He accused them of deliberately stirring up anti-Semitism to divert the anger of the Christian community away from themselves. In several towns, such as Smolensk and Viatka, there were indeed pogroms against the Jews following the confiscation of church property. Meanwhile, the Bolsheviks were closing down synagogues as part of their campaign against religion. The first to be closed were in Chagall's home town of Vitebsk in April 1921.